Stuart McCall

“Every pre-season game we’re playing against teams from levels above. I have made use of the vivid colours which are surprisingly abundant in industrial sites.

See the complete profile on LinkedIn and discover Stuart’s connections and jobs at similar companies. Looking at our constructions and labours and imagining the length of time before all traces would be gone.

With the use of spray paint, chalk, pencils, paint and felt markers, these markings are created, employing various conventions – geometric representations, coloured symbols, numerals, acronyms, and abbreviated words.It is the temporary nature of these markings that I find compelling, marking the transition between permanence and impermanence.

NYAXE Gallery. They are available as limited edition archival inkjet prints.This project examines the 21st century, industrialized urban environment. McCall added: “I was reading what John Askey was saying at Port Vale and it’s the same as us.

Last Updated: This website and associated newspapers adhere to the Independent Press Standards Organisation's Editors' Code of Practice. It is a place where the climate and environment are quite incompatible with human survival. Group show. These include "Every Bus Stop from My Place to the Racetrack" 1997, and "Movies ‘til Dawn" 2009.Stuart’s work is represented in Vancouver by the Vancouver Art Gallery’s Art Rentals and Sales, in Calgary by Newzones Contemporary Art, and in Toronto by Marcia Rafelman Fine Arts. Transferring them from the shop floor to the gallery wall alters their purpose fundamentally. Yet from a distance the subject matter tends to blend together into an amalgamationDuring the past decade my predominantly documentary photography practice has developed in a steady path with an observational perspective, exploring the contemporary industrial worksite. In a landscape there is no such thing.

Sometimes humorous additions like the word “ironic” scrawled above a pile of iron recycling, other times incomprehensible hieroglyphic markings on the side of a construction site excavation. The subject matter of these images is quite varied, from garbage cans to perfect lawns.

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There is no hierarchy of content or path set forth for the eye to follow. We lament the coastal oil spill, while thoughtlessly filling our automobiles with fuel. Art Wolfe Photographic Center.

Toronto, Ontario. STUART McCall insists City have to brush up defensively after today’s friendly against Doncaster. Paulo Alto, CA.Environmental Photography International. Collapsing arbours, small buildings covered in blackberry vines, fallen statuary, water features choked with weeds and bulrushes.My passion for photographing human works in a state of transition is evident in much of my previous work.

“Having said that, (James) Coppinger probably got the goal of the season. Stuart has 8 jobs listed on their profile. His later sale of the park led to charges of conflict of interest, which in turn led to his resignation in 1991 and the defeat of the Social Credit government.

Reminiscent of Cuneiform, Elamite or prehistoric scripts painted onto cave walls and cliff faces, these inscriptions pass a message to some future observer, which presumes an understanding continuum.In a complex, hazardous and deadline driven environment like the modern-day construction site, a simple method of mark making is often the only, and certainly the most expedient way to pass on information from one crew to another.

Scarcity of water, and extremes of heat and cold are typical… Yet people have inhabited and tried to make a living in these places since time immemorial.

Sitting undisturbed for over a decade, I was struck by the resiliency of the previously domesticated flowering trees and shrubs, which had continued to flourish despite the lack of attention.A few months later I returned and photographed the garden in December. Portland, OR.Orange County Centre for Contemporary Art, Subdivision.

Vancouver, BC.Inaugural group exhibition. They are archival inkjet prints in editions of 25.These photographs examine the relationship of form and function in our perception of common objects. These colourful elements exist in the form of warning signs, cautionary lines painted on floors and walls, painted equipment, valves, knobs, and infrastructure including ductwork, etc. These vague images give the observer the impression of freedom from the artist’s influence.

The garden then began a slow decline under the new offshore ownership, and was eventually closed.When I heard about its imminent redevelopment, I was struck with a sense of sadness for several reasons. “But all-in-all, another good work-out with some positive individual performances and how we wanted to play.”